Hum Tum mmm mmm

There’s no guarantee of this blog coming through when I’s confessing my twisted views on sex & religion to Khushboo yesterday. And it actually wouldn’t have if I won’t have seen Hum Tum the same evening.

Watching that movie also reminded me that liberal or conservative views on sex are not decided by gender. It’s a surprise to a viewer when the woman, Rani Mukherjee, having spent a pleasant night with the boyfriend of one hour Saif, comes out in broad daylight blushing & unapologetic. And on the other hand, the guy’s head is full of guilt of pre-marital, though consensual sex. The confrontation & rona-dhona that follows is saved from being the typical Hindi movie one because of a simple gender reversal in the game.

There’s sure no pride in high divorce or teen pregnancy rates or post-Navratri high rate of abortions or nervous break-downs of bachcha log; but media will have to change more, so will have to entertainers, and artists and decision makers. Because the hues of society are changing, and rather than trying to reverse the flow, they might as well channelize it well.

99 = 100

Karan’s facebook status – 99 is 100% wouldn’t have helped if it wouldn’t have been the psychological pull to theatre after the strike is over. For this reason or that, however, I did watch 99. Like I didn’t realize in Fiza (name of the character) or Tamanna (ditto), it never occurred to me the movie featured a story of year 1999.

I still can not think of the reason they did it, but they did it nevertheless. Though I am not a very keen person when it comes to observing things, but have a list of the technically best movies. Khosla ka Ghosla sits at the top of the list; and then there’re a few more like Bheja Fry, Saudagar (the old one), Dor, etc. the newest entrant to this list is 99.

I didn’t fully realize the period element when they showed the bigger black mobile-phone first; then it all started to connect. Right from the bulky mobile phones, monotone ring tones, greenish displays to a mention of T20 cricket, the novelty in the concept of coffee shops, MAC Donald’s board – it was all there. The superb presence of Boman Irani, Cyrus Brocha and Vinod Khanna added to the charm of the movie. And for a change I also liked Soha & Khemu.

The superiority of the film was also reflected in the screenplay and dialogues. The innovative references used for Cyrus’s thick frame and the kaminapan of Boman Irani only helped make the movie complete.

99 sure is 100%.