Saturday, June 13, 2009

baby with the bathwater

Throwing the baby out with bathwater is common in any society; especially the one that’s threatening to turn fascist by the hands of moral police. This tide had ebbed, now I fear there’s going to be some reawakening.

The cause this time is a very unfortunate incident of a minor girl being raped by youth in the wee hours in Surat. The anguish is but predictable; so is my worry that in the name of security and moral policing, many a innocuous people will be blamed, and may also be penalized. The bigger threat, however is that ideas and thoughts will suffer a bigger blow and few will oppose it because it comes wrapped in and attached with a very sensitive cover.

Many a things around me force me to take such a stand – the pro-people language used by daily newspapers; the headline that writes – Muslim Youth – clearly citing and inciting junta; the news tag-line – Rape on Wheels - developed by Divya Bhaskar; blaming coaching classes for early morning class timing; totalitarian organization like the VHP announcing a bandh on Monday.

Hoping the victim kid recovers and find her life soon; and the hoopla that has surrounded the real issue doesn’t take too much toll; as a safety measure, I have taken off some party pictures from the online photo gallery.

Friday, June 12, 2009

99 = 100

Karan’s facebook status – 99 is 100% wouldn’t have helped if it wouldn’t have been the psychological pull to theatre after the strike is over. For this reason or that, however, I did watch 99. Like I didn’t realize in Fiza (name of the character) or Tamanna (ditto), it never occurred to me the movie featured a story of year 1999.

I still can not think of the reason they did it, but they did it nevertheless. Though I am not a very keen person when it comes to observing things, but have a list of the technically best movies. Khosla ka Ghosla sits at the top of the list; and then there’re a few more like Bheja Fry, Saudagar (the old one), Dor, etc. the newest entrant to this list is 99.

I didn’t fully realize the period element when they showed the bigger black mobile-phone first; then it all started to connect. Right from the bulky mobile phones, monotone ring tones, greenish displays to a mention of T20 cricket, the novelty in the concept of coffee shops, MAC Donald’s board – it was all there. The superb presence of Boman Irani, Cyrus Brocha and Vinod Khanna added to the charm of the movie. And for a change I also liked Soha & Khemu.

The superiority of the film was also reflected in the screenplay and dialogues. The innovative references used for Cyrus’s thick frame and the kaminapan of Boman Irani only helped make the movie complete.

99 sure is 100%.